Steuben-tiffany Lamp

7,500

Here for your consideration is a TIFFANY floor lamp with a very rare STEUBEN glass shade. The 10" STEUBEN shade is in excellent original condition and still has a remnant of the STEUBEN signature inside the aperture. The STEUBEN book describes, shape # 761 brown with applied ornament with intarsia border.

The base stands 53" high, is properly signed TIFFANY STUDIOS NEW YOUR # 423. Has all it's original hardware, good patina and rewired. This beautiful lamp is $7500.

Would sell the shade alone for $3250.

Steuben Glass Works was an American art glass manufacturer, founded in the summer of 1903 by Fredrick C. Carder and Thomas G. Hawkes in Corning, New York, which is in Steuben County, from which the company name was derived. Hawkes was the owner of the largest cut glass firm then operating in Corning. Carder was an Englishman (born 18 September 1863) who had many years' experience designing glass for Stevens and Williams inEngland. Hawkes purchased the glass blanks for his cutting shop from many sources and eventually wanted to start a factory to make the blanks himself. Hawkes convinced Carder to come to Corning and manage such a factory. Carder, who had been passed over for promotion at Stevens and Williams, consented to do so.

In July 2008, Steuben was sold by Corning Incorporated for an undisclosed price to the Schottenstein Stores Corp. , [1] which also owns 51% of Retail Ventures, a holding company for DSW, Filene's Basement, and formerly Value City Department Stores; Value City Furniture, which changed its name to American Signature Furniture; 15% of American Eagle Outfitters, retail liquidator SB Capital Group, some 50 shopping centers, and 5 factories producing its shoes, furniture and crystal.

On September 15, 2011, Schottenstein announced it was shutting down Steuben's Corning factory and Manhattan store, ending the company's 108-year history. [2]

In early 2014, The Corning Museum of Glass announced the re-introduction of Stueben in a new, lead-free formula. [3] A limited assortment of iconic designs will be available at the Museum Store and online. [4

LOUIS COMFORT BORN 1848 TO CHARLES LEWIS TIFFANY. HE GREW UP IN HIS FATHERS
JEWLERY BUSINESS. Tiffany founded his own firm in 1885 and focused on art
glass. Earlier, Louis had already registered for a patent on a new glassmaking
technique of combining different colors in opalescent glass to create vibrant,
multidimensional hues of color never before seen in glass. This challenged the
traditional approach of painting on glass to create multicolored effects.
Tiffany became an enthusiastic supporter of the European Art Nouveau movement,
challenging the current Victorian ornate style. Art Nouveau used free-flowing
designs based on nature that exemplified the characteristics prevalent in
Tiffanys earlier creations as a landscape painter. The use of light, color and
nature assumed greater significance in Tiffanys work as he developed his unique
approach to Art Nouveau. Tiffany's work was displayed in Europe at the most
important venue for the introduction of Art Nouveau, Siegfried Bing's L'Art
Nouveau.
In an effort to reach the interiors of a greater population, Tiffany
began to design lamps to allow more people to enjoy art and beauty in their own
home. Colored glass, Tiffanys lasting love and challenge, found fresh scope and
inspiration. While the windows served to transmit the light of day, the lamps
represent a new source of illumination independent of daylight. Fabrication of
the lamps began in 1885, with the majority of them being made between 1895 and
1920. It was not until 1899 that Tiffany publicly introduced the lamps for
sale.
Tiffany is best known for his designs of glass vessels, lamps and
windows, but he also created items in various other media including metalwork,
furniture, jewelry and ceramics, introducing enamels in 1898, art pottery in
1900, and jewelry in 1904. He established a metalwork department, producing
lamps, desk sets, and chandeliers that were sold through his New York showroom,
company catalogues and department stores. He designed most anything having to do
with interior design, including even textiles and wall coverings. His remarkable
career spanned over five decades, including his tenure with L. C. Tiffany &
Associated Artists, the Tiffany Glass Company, Tiffany Studios, Tiffany Furnaces
and the L. C. Tiffany Furnaces.
By Tiffanys death on February 18, 1933, the
popularity of his elaborate lamps declined with the rise of Art Moderne and
Expressionism. For two decades the designs of Louis Comfort Tiffany were
forgotten. It was not until the first Tiffany retrospective show in 1958 that
his objects were rediscovered by museums and collectors. Awareness of Tiffanys
craftsmanship escalated with an Art Nouveau show in 1960 at the Museum of Modern
Art. Today the designs of Louis Comfort Tiffany are honored and treasured around
the world, confirming Tiffanys legacy as a visionary of Art Nouveau design AND
MOST ANYTHING WITH THE MAGICAL TIFFANY NAME FETCHES ENORMOUS SUMS OF MONEY